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Cooke, Dervila (2012) "Une représentation une fois pour toutes et pour toujours"? Un cirque passe de Modiano et Des gens qui passent de Nahum. French Cultural Studies, 23 (4). pp. 290-303. ISSN 1740-2352

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Doyle, Phillip ORCID: 0000-0002-1564-6686 (2023) The grammar of immersion: a social semiotic study of nonfiction cinematic virtual reality. PhD thesis, Dublin City University.

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Fahy, Declan ORCID: 0000-0003-2216-4252 (2022) Caricatures and omissions: representations of the news media in 'Don't look up'. Journal of Science Communication, 21 (5). ISSN 1824-2049

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Gillan, Mary (2009) In the shadow of the church: Irish and Quebec cinema. PhD thesis, Dublin City University.

Ging, Debbie (2008) Goldfish memories? On seeing and hearing marginalised identities in contemporary Irish cinema. In: Faragó, Borbála and Sullivan, Moynagh, (eds.) Facing the other: interdisciplinary studies on race, gender and social justice in Ireland. Cambridge Scholars Publishing, pp. 182-203. ISBN 9781847185976

Ging, Debbie (2004) The politics of sound and image: Eisenstein, artifice and acoustic montage in contemporary feminist cinema. In: Antoine-Dunne, Jean and Quigley, Paula, (eds.) The montage principle: Eisenstein in new cultural and critical contexts. Rodopi, pp. 67-95. ISBN 978-90-420-0898-4

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Le Juez, Brigitte (2008) War survivors' fractured identities in 'Hiroshima mon amour'. In: War, virtual war and society. The challenge to communities. Rodopi, Amsterdam-New York, pp. 61-72. ISBN 978-90-420-2347-5

Le Juez, Brigitte (2004) Les bons et les méchants, ou l'image du justicier algérien dans Pépé le Moko de Julien Duvivier (1936-). CELAAN Review, 3 (1-2). pp. 7-23. ISSN 1547-1942

Le Juez, Brigitte (2000) Filming with writers: Alain Resnais's literary cinema. In: Shorely, Christopher and McCusker, Maeve, (eds.) Reading across the lines. Royal Irish Academy, Dublin. ISBN 1-874045-81-X

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Moran, John (2020) Sex in the multiplex: a qualitative and quantitative analysis of sex in the 250 most popular films on domestic release, 2011-2015. PhD thesis, Dublin City University.

Murphy, Paula (2018) "You feel real to me, Samantha": the matter of technology in Spike Jonze's Her. Technoculture: An Online Journal of Technology in Society, 7 . ISSN ISSN 1938-0526

Murphy, Denis (2017) A labour history of Irish film and television drama production 1958 - 2016. PhD thesis, Dublin City University.

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O'Brien, Maria (2020) A political economy of tax expenditures for the audiovisual industries in Ireland: a cultural policy research perspective on section 481. PhD thesis, Dublin City University.

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Sheehan, Helena (1988) Images of the 60s in the 80s: memories of social unrest in US tv series. In: International Television Studies Conference, 20-22 July 1988, Institute of Education, London, UK.

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West, Caroline (2020) Dancing in the shadows of the outer limits: an exploration of the experiences of female pornography performers and feminist discourses on their experience. PhD thesis, Dublin City University.

Wallace, Mark (2016) The unspeakable Victorian: Thomas Carlyle, ideology and adaptation. PhD thesis, Dublin City University.