Alardawi, Merfat ORCID: 0000-0003-3787-7327 (2023) The impact of watching Turkish drama on Saudi women's attitudes and perception patterns: an audience study. PhD thesis, Dublin City University.

Murphy, Jamie ORCID: 0000-0002-3648-1868 and Mac Murchaidh, Ciarán ORCID: 0000-0002-4688-7300 (2021) Translated drama under the spotlight: the case of Irish and other languages. Translation Ireland, 21 (1). pp. 51-63. ISSN 1649-7767

Meehan O'Callaghan, Sarah (2020) The trauma of the body in the drama of Artaud, Beckett and Genet: a paradox of the speaking being. PhD thesis, Dublin City University.

White, Irene (2020) Participatory arts for creativity in education (PACE) model: exploring the participatory arts as a potential model for fostering creativity in post-primary education. PhD thesis, Dublin City University.

O'Driscoll, Aileen ORCID: 0000-0001-7110-1149 (2019) Searching for Understanding in Alan Gilsenan's 'The Meeting'. Estudios Irlandeses (14). pp. 324-327. ISSN 1699-311X

Murphy, Denis (2017) A labour history of Irish film and television drama production 1958 - 2016. PhD thesis, Dublin City University.

Hay, Marnie ORCID: 0000-0002-7802-2096 (2016) Performing Irish nationalism on and off the stage: Bulmer Hobson and Patrick Pearse. In: McNulty, Eugene ORCID: 0000-0001-7827-5424 and Ní Ghairbhí, Róisin ORCID: 0000-0003-0081-9027, (eds.) Patrick Pearse and the Theatre. Four Courts Press, Dublin, pp. 24-36. ISBN 978-1-84682-618-4

Sweeney, Sheamus (2013) "From Here to the Rest of the World": Crime, class and labour in David Simon's Baltimore. PhD thesis, Dublin City University.

McNulty, Eugene (2011) Before the Law(s): Wole Soyinka’s Death and the King’s Horseman and the passages of bare life. Postcolonial Text, 6 (3). pp. 1-14. ISSN 1705-9100

McNulty, Eugene (2010) Breaking the law: Patrick Pearse, cultural revival, and the site of sovereignty. Journal of Postcolonial Writing, 46 (5). pp. 479-490. ISSN 1744-9855

Reid, James E. (2010) Walter Macken (1915-1967) - playwright, actor and theatre manager. PhD thesis, Dublin City University.

Sheehan, Helena (2010) Book review: Sue Vice, Jack Rosenthal. Manchester and New York: Manchester University Press, 2009. European Journal of Communication, 25 (1). pp. 91-93. ISSN 1460-3705

McNulty, Eugene (2007) Revival’s limit, or a post-revival space? Gerald MacNamara’s “Christmas Laughter”. Irish Studies Review, 15 (2). pp. 219-232. ISSN 0967-0882

Slowey, Desmond (2006) The role and image of the ascendancy in the Irish theatre, 1600-1900. PhD thesis, Dublin City University.

Sheehan, Helena (2006) Review: Popular television drama: critical perspectives. European Journal of Communication, 21 (2). pp. 263-265. ISSN 1460-3705

Murphy, Paula (2006) Staging histories in Marina Carr's Midlands Plays. Irish University Review: A Journal of Irish Studies, 36 (2). pp. 389-402. ISSN 0021-1427

Sheehan, Helena (2004) Irish television drama: a society and its stories. Broadcasting and Irish Society . Radio Telefís Éireann, Dublin. ISBN 0860290115

Sheehan, Helena (2004) The continuing story of Irish television drama: tracking the tiger. Broadcasting and Irish Society . Four Courts Press, Dublin. ISBN 1-85182-688-2

Sheehan, Helena (2002) Cronin-Sheehan Interviews 2001-2002. Other. UNSPECIFIED.

Sheehan, Helena (1993) Soap opera and social order: Glenroe, Fair City and contemporary Ireland. In: Imagining Ireland, 30-31 October 1993, Irish Film Centre, Dublin, Ireland.

Sheehan, Helena (1991) Writing and the zeitgeist. Irish University Review, 21 (2). pp. 295-306. ISSN 0021-1427

Sheehan, Helena (1988) Images of the 60s in the 80s: memories of social unrest in US tv series. In: International Television Studies Conference, 20-22 July 1988, Institute of Education, London, UK.