Biblical reception history is a rapidly expanding area of biblical studies that concerns itself not only with how biblical texts have been received historically and traditionally but also with how they are received in the contemporary era and in diverse cultural contexts. My interest is in how the biblical text is received within the prevailing cultural shift towards the visual. One area of visual culture that is frequently overlooked when describing art that illustrates the Bible are those graphic designs that appear in liturgical books such as Lectionaries and Missals, and the primary worship books found in the pews of different congregations. Lectionaries offer a curated selection of biblical texts, oriented around a Christocentric focus within the annual and cyclical structure of liturgical seasons. These books bring the biblical text into the liturgical domain where they perform the semantic and iconic authority of the Bible. This makes the books themselves already a very particular and interesting site of the reception of Bible. This study sets out to explore the artistic interpretation of the biblical lections found in these iconic liturgical books. Focused on graphic designs found in Christian liturgical books this study seeks to understand how religious images function semiotically in the reception of selected biblical texts. Furthermore, it considers what theoretical discourse might be used to analyse this and describe how meaning is made visually. A Social Semiotics of the Visual, an emerging methodology developed by Gunter Kress and Theo van Leeuwen shall provide the framework for this exploration of the relationship between the Bible and contemporary graphic design.